Sweet... just in time for Christmas!

SuicideTaxi

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Veteran XX

The original studio console used to record Led Zeppelin’s Stairway to Heaven is heading for auction at Bonhams next month.

The Helios console, which was also used by the likes of Bob Marley, David Bowie and The Rolling Stones, is expected to fetch a six-figure sum when it goes up for sale in London on December 11.

“It is hard to overestimate how crucial a role this console has played in the British rock and pop scene,” said Bonhams Specialist Claire Tole-Moir.

“Songs and albums recorded on this bespoke console and its original parts rank among some of the most recognisable and best-loved pieces of music in existence, and have resulted in Grammys, Brit Awards and multiple number one spots. This console is a piece of Britain’s modern cultural history.”

The unique studio console is actually an amalgamation of two separate studio desks built by Helios Electronics, who also built consoles for The Beatles’ Apple Studios.

The first is the Basing Street Studio 2 Helios console, which was first installed at Island Records’ newly-constructed London studios in 1969.

The studio played host to many legendary names and recordings, but perhaps none are more famous than Led Zeppelin’s Stairway to Heaven, regarded by many as the greatest rock song of all-time.

In December 1970, the band began work at the Basing Street studios on what would become their seminal album Led Zeppelin IV, which sold more than 37 million albums around the world.

studio-desk-2.jpg

Although most of the album was recorded using a mobile studio at the country house Headley Grange, the bulk of sessions for Stairway to Heaven took place at Basing Street, including Page’s iconic guitar solo.

Other artists who used the console during this period included Bob Marley and The Wailers, Jimi Hendrix, Cat Stevens, Eric Clapton, Sly Stone, Jimmy Cliff, Harry Nilsson, Jeff Beck, Mott The Hoople, David Bowie, Free, The Rolling Stones and Steve Winwood.

The second console was built in 1973 and installed in the bespoke Hook End Manor studio of Alvin Lee, guitarist and singer with the band ’10 Years After’.

Renowned musicians who used this desk included George Harrison, Ron Wood, Tim Hinckley, Boz Burrel, Jim Capaldi, Mick Fleetwood and Joe Brown.

After years spent shaping the musical landscape, both desks ended up in storage until they were rescued and given a second life by another pair of music legends: Elvis Costello and Chris Difford of Squeeze.

The pair teamed up in 1996 to open their own recording studio, HeliosCentric, which Difford described as “a chapel of music in the most idyllic spot”.

They spent two years carefully amalgamating the two historic consoles into one remarkable desk, and the result was a studio which attracted contemporary artists such as Paul Weller, Dido, Sia, Cage The Elephant and Keane.

Now, after almost 50 years of hit-making, the console is seeking a new home, where a future generation of musicians and performers can create their own legacies using a piece of true music history.


If I was a rich guy, my whole house would be stocked with stuff like this :p:
 
Nice but outdated. It's all analog. Newer equipment is digital.

When people fill their home with equipment it's called GAS (Gear Acquisition Syndrome). I never had it either due to money and space, only have a few keyboards.

It's nice to keep all the classic instruments and recording gear, but it does take up a bunch of space.
 
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Digital has its place. I'm sure recording digitally has way more advantages over analog.

The delivery of music to the listener seems to be better with analog though, despite the conveniences of digital.
 
Nice but outdated. It's all analog. Newer equipment is digital.

When people fill their home with equipment it's called GAS (Gear Acquisition Syndrome). I never had it either due to money and space, only have a few keyboards.

It's nice to keep all the classic instruments and recording gear, but it does take up a bunch of space.

I love old technology though... like a weakness for it. Something about the oldschool dials and levers and switches that just makes things more real, I guess. I'd have a warehouse full of this stuff if I could afford it :D
 
Do all those switches, knobs, and sliders actually have a purpose?

When you record would you basically just use a small fraction of them?
 
True story - I worked at Focusrite in High Wycombe, England for a couple of years. It was Rupert Neve's designs. Got to hang with Rupert and a whole bunch of engineers and musicians at various studios around London. Probably the high point was hanging with Sir George Martin (of Beatle's fame) and Rupert at a shindig at Master Rock studios one eve to celebrate the install of one of the very few Focusrites ever deployed.
master_rock_studios.jpg


We did one for Lucas out at Skywalker too.

Good times. Good days.
 
OK - so since no one gives a fuck about old man stories - might as well drop another story from that Master Rock party.

Here is a good history of Focusrite


So - there we were at Master Rock for the celebration party of the console. It was full of superstars. We were in the break room. It had a pool table. Steve used to go through small studio monitors like water. When he was done, he used to put them around the studio to pipe some sound out and for entertainment.

There were around 12 speakers up in the ceiling in the break room. I was standing there in the middle of this room full of drunk, loud people. Music blasting from the speakers. Steve was yapping about some shit and Rupert was distracted. He interrupted Steve and said "Steve, one of your ceiling speakers is wired out of phase". Steve laughed. Rupert said, no really - that one there - and he pointed above the pool table. "Bullshit, Rupert" Steve said. "I'm telling you - it is out of phase", said Rupert

Anyway, they bantered back and forth until Steve said fuck this - got up on the pool table, pulled the speaker down and found that the speaker was indeed wired out of phase.

Rupert was an amazing man and his ears were truly golden.
 
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Last tidbit - in the QC checklist on all the ISA series - we tested to be flat to over 100kHz - people would say - no one can hear that - Rupert would say - it's more of a feeling - we need to keep the highs. If you want to take them out, that's your choice. That is the true magic in his circuits.
 
Both great posts Brasstax.
I don't profess to have golden ears anymore,
but I can still hear the difference switching absolute phase
usually preferring one over another for any particular album/song
 
Rupert is now 92. Still working as far as I know. I never had ears anything like that. Mine are good - good enough for mixing and what not. But, I got to meet and be around people who I realized were just in another realm from me. Gifted in a way that I can't fathom. One guy I knew used to be an engineer over at the London Philharmonic. John Kurlander. We would talk microphones and audio for hours. Around the time DAT was coming out. There was a dude named John Watkinson - he wrote a book called The Art of Digital Audio. To be able to talk digital and analog at that time was so fun. The opinion was that digital would never be the same. Here's John from an internet photo -
0d1fd34f22c9730e91eb5170fbddc114_M.jpg

His book is really awesome. Still a good read.

Anyway - I would hang with these dudes. There was another guy who I loved - Richard Salter - Brit/Sony engineer. Wrote the code to handle the Sony DAT mechanics - algorithms to control tape speed etc. He had his hand in the DACs etc. he was also one of the only people who could maintain and play some of the oldest organs in the world. He played the organ at Winchester Cathedral for the Queen and royals whenever needed. (I was not invited - although I briefly met Princess Diana and I think - I think I would have had a shot at banging her if I could have just been left alone with her for a bit ;) ) She was gorgeous. Anyway...

5547694575_cc7ffbb83d_z.jpg


The conversations were so rich. These people were like gods to me. I provided comic relief and was an avid learner/listener. It was just fun to be able to hang. They mostly found it amusing to have a Yank around.


Alright - nice thread Taxi and thanks for the memories - now back to being an internet douche bag muhaha ;)
 
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Substitute teacher told 1st graders Santa isn't real, basically ruined Christmas

A substitute teacher in Montville has landed on the naughty list after telling first-graders that Santa isn't real.

The Cedar Hill School sent a letter to parents apologizing for the holiday gaffe, which occurred on Thursday in the first-grade class.

"During the course of the day, a substitute teacher apparently announced to the class that Santa was not real," the school's principal, Michael J. Raj, wrote in the letter provided Friday to NJ Advance Media.

Raj did not identify the teacher, but said he had spoken with her "regarding her poor judgement in making this proclamation."

"As a father of four myself, I am truly aware of the sensitive nature of this announcement," Raj said, adding he was informing parents "so that you are aware of the situation and if the conversation comes up at home over the next few days you can take appropriate steps to maintain the childhood innocence of the holiday season."
[......]

Substitute teacher didn't stop at ruining Santa. No magical creatures were safe

A substitute teacher in Montville who on Thursday told first-graders Santa isn't real didn't stop there.

The sub -- who hasn't been identified by the district -- also dismissed as fake the Easter Bunny, Tooth Fairy, Elf on a Shelf and even leprechauns, Montville Superintendent Rene Rovtar said on Friday evening.

"It's obviously something we're deeply concerned about in terms of her judgment," Rovtar said of the substitute, whose classroom status is under review.

Rovtar said the unwelcome disclosures at the Cedar Hill School, which prompted a parental outcry on social media, resulted from a writing lesson gone astray.

"A student had written that Santa is real. She felt compelled, somehow, to tell a student that Santa is not real," Rovtar said.

That big reveal opened the floodgates.

Rovtar said the first-graders peppered the sub with questions about the Easter Bunny, Tooth Fairy, Elf on a Shelf - the storybook 'scout elf' aiding Santa - and the fortune-granting powers of leprechauns.

"She proceeded to debunk all of it," Rovtar said.
[.....]

Rovtar did not identify the substitute, but said she has worked in Montville for about a couple of years.

Asked whether she might be invited back to school, Rovtar said, "We're working through that at the moment."

The awkward holiday incident is generating national attention.
[.....]

As a dad/gramps, I would be pretty pissed off at the State saying this to my kid/grandkid.

The State: Destroyer of all good things created by man.
 
Last one - tying this back to the top console SuicideTaxi posted - Phil Dudderidge was Led Zepplin's first live sound guy. He probably knew that console very well since he also did work on their early studio recordings. He went on to found Soundcraft - and then bought Rupert's designs for Focusrite. And now you know the rest of the story.

Phil Dudderidge - Wikipedia

Here is Phil and Plant (spoiler for size)
Spoiler


Here is Phil Collins and Plant - Fixed so Taxi doesn't need to see Phil Collins kissing him lol
Spoiler
 
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