TheVoiceOfReason
Veteran X
pls stop saber on saber violence
pls stop saber on saber violence
TYT are stupid
so is anyone saying the movie was bad bc there was a female lead
the problem with Rey isn't that she's female, it's that she has powers and abilities for no reason
it made sense for Leia to be "strong", because she was in a position of power and could be presumed to have experience with making tough decisions and working under pressure
it's not like Luke woke up one day and could use the force at will, like Rey
also i haven't seen this piece of shit, because after TFA, i won't be watching them in theaters
So much autism in here. No one fucking cares u old fucks.
Um Rey has powers and abilities because of the force. Of all the shit to complain about this should be the last fucking one. It is a magical force of ill defined limits for fucks sake.
Lots of reasons to be annoyed with how Rey was used in TFA and stuff but how and where force sensitivity and ability manifests is the last one.
Back in the day... when Anakin was becoming Darth, in order to take out a good chunk of the force sensitive people, he went into a school designed just for teaching kids how to use their abilities and wiped them all out. Just imagine how the story would be in episode 4 if all force sensitive kids could just learn how to do amazing things without being taught, and how difficult order 66 would have been to accomplish if these kids were not grouped into some schools.curious that everyone in the history of star wars has had to train in order to be effective using the force
except rey
she can just do it all bc she's amazing
what exactly did she do that was so advanced in TFA? she mind tricked one guard and force pulled the lightsabercurious that everyone in the history of star wars has had to train in order to be effective using the force
except rey
she can just do it all bc she's amazing
As opposed to the story in the original where the kid who just happens to find 2 random droids on a huge desert planet also just happens to be the son of a powerful Jedi who just happens to take these droids to the only man in the universe who could possibly put this story together.
I apologize as there has been a ton of discussion surrounding this film but as someone who doesn’t usually think very much about blockbuster films, I find the discourse around this film fascinating.
Are fans worth nurturing if you are a filmmaker without cynical intent? I think my growing appreciation for TLJ is less about how it broadens the Star Wars universe or builds upon the lore (which it really doesn’t much), but in how much the film itself is about Star Wars and the next generation of Star Wars fandom. The fact that the film is so divisive in a way that echoes the divides the characters in the film have about “the past” and “the Jedi” (aka: Star Wars as a franchise) is pretty funny.
It’s a perfect counterpoint to The Force Awakens, which in itself wanted to be about Star Wars fans. The Force Awakens establishes Rey as a representation of a new generation of Star Wars fan, literally owning a doll of a rebel pilot and rummaging through the remains of the events in the original trilogy. Unfortunately the film itself is so much of a retread narrative wise that it comes off as cynical rather than genuine reflection - “You too can experience the same thing your parents did in theaters!”
Rey is the obvious audience surrogate yet again. In the Last Jedi, she confronts her fandom and nostalgia directly. She speaks to Luke who dismisses the “old ways” as antiquated and not worth reviving. Rey, as a fan badly wants to revive Star Wars as she knew and loved it. Kylo on the other hand feels burdened by the past and wants to destroy it. These two voices speak to the dual burden Rian and the current generation of Star Wars/pop culture filmmakers feel in an era of unprecedented regurgitation. Part of them feels they have to subvert and destroy what we know of the old trilogy and our nostalgia surrounding it to truly move on and allow established popular culture to belong to a new generation. That pull plays out in the film in a few ways, Rian kills cherished old characters passively and subverts old narratives with blunt force through the hands of the antagonists. At one point Kylo seems to be speaking to the audience directly when he angrily says “No, no! You’re still holding on - let go!”.
Yet Luke serves as the counter-conclusion of that rumination. He can’t recreate Star Wars as we loved it, he “can’t be what (the fans) need me to be”. But ultimately Rian as a filmmaker and Luke as a character decide to stop feeling the weight of the franchise/the Jedi as a burden and embraces these stories through their true value: their ability to inspire future generations (aka broom boy) and future filmmakers to blaze their own trail while carrying the influence of these films and these characters with them. In the end Luke’s presence literally and figuratively only buys time for everyone else to carry on.
I feel like this is the primary narrative of the film, a thematic one, rather than something that details and builds upon established lore. The film is exhausting because it makes the audience assess their own feelings on Star Wars, judge whether it is based on pure nostalgia and how much they are willing to let go. It really is a quite clever bit of postmodern filmmaking and I was shocked to see that sort of meta dialogue play out on screen in what would otherwise seem like a safe corporate product.
However the film is a bit confusing because it makes me question what possible choice filmmakers dealing with lumbering, tired pop culture institutions have to make something authentically theirs? Is it even possible to make popular culture belong to a new generation without simply regurgitating it with a new gloss?